
This is the snowball quilt I mentioned below. Here, I've set the snowball block in alternation with a simple nine-patch. These are both very traditional blocks, technically straightforward to construct. The idea of combining them is not especially earth-shattering either.
I took the traditional blocks and then sort of played inside them with color and value to try to make something that doesn't look all that traditional.
I wish the angle on the picture were better. You can see the light tricks in the center and some of the dimensional things going on near the corners. But if you saw the quilt top straight on, you would see the thing I like best in this one, which is that the center snowball feels visually like it must be smaller than the ones that surround it. (In fact, it's precisely the same. I don’t how the illusion works, but it makes me want to find out!)
When I look at a lot of my works-in-progress, I see over and over this preoccupation with creating illusions - transparency, dimensionality, glow, optical tricks, etc - within traditional patterns.
(I can cite Wordsworth without sounding pretentious, because everyone is made to read him, right?) This makes me think of the "Nuns fret not..." sonnet, which speaks of "Souls/ Who have felt the weight of too much liberty" finding "solace" in the act of composing within the confines of traditional forms. There is something about that that rings true for what I am doing here.
What this realization means for what I'll make in the future, I'm not sure. But it may mean I should be thinking about it...